Nam June Paik's first single-channel videotape since 1989 is a heartfelt tribute to his long-time collaborator Charlotte Moorman. This portrait traces Moorman's career as an avant-garde performer, from her classical training to her notorious arrest as the "Topless Cellist" and subsequent talk-show celebrity. Rare documentations of Moorman's performances include Otto Piene's Sky Kiss and Jim McWilliams' Chocolate Cello. Interviews with Moorman's friends, family and collaborators, such as Yoko Ono, Christo and Jeanne Claude, Otto Piene, and Barbara Moore, among others, provide intimate recollections of the inimitable Moorman.

A beautiful girl Maya (K.Gauri) comes to Mumbai to become rich and famous. After passing through some struggle she joins the modeling career in one of the top agency owned by a lady Dolly (Shweta Menon). In a short span of time she succeeds to become the top model in the advertising and fashion media. During this time she meets a handsome boy and love develops. Maya has got everything in life one can wish to have. She has name, success, money and above all true love. A moment comes when she is offered high money to model as Topless for a product of big corporate sector. She refuses. Offers are multiplied but Maya is not saleable. She is rock-steady in her decision.

Maya, an innocent, naive young woman, enters the world of modeling and quickly becomes successful without compromising.

This 10-part, unscripted late-night series goes behind the scenes at several Detroit-area "gentlemen's clubs" owned by Alan Markovitz, a 30-year veteran of the rough-and-tumble world of adult entertainment and the self-proclaimed "most successful strip-club entrepreneur in America." In addition to showcasing the steamy action that goes on inside his clubs - including a "fetish night" promotion and the debut of two jittery novices recruited from Pontiac - Topless Prophet sheds light on the private world of Markovitz, whose success transforming rundown strip joints into lucrative gentlemen's clubs is rivaled only by his insatiable desire to stick it to those he feels have betrayed him. Even with the Motor City in bankruptcy, Alan and his clubs are thriving - but staying number one isn't easy. Whether it's breaking up brawls in the ladies' locker room or coping with his own messy divorce, there's never a dull moment in Alan's life.

In 1939, Charlotte Salomon leaves Berlin to seek refuge at her grandparents' villa in the south of France. A little later, war breaks out, and Charlotte must, besides forgetting all she left behind, deal with her grandmother's depression, and her mother's suicide. To fight despair, Charlotte starts to paint, producing over one thousand images. "Is my life real, or is it theater?" This is the title she gives her body of work, which highlights her former life in Berlin. She finds herself though her art, but in 1943 is deported to Germany and Auschwitz.

A forgotten movie star learns that the director who made her fa-mous will be filming his last film in Paraguay so she sets out on an unusual journey in search of something more than just getting the leading role that she feels belongs to her.

A teenage girl is babysitting at a new house when she's accosted by a vicious, possessed doll. With the babysitter in bondage, the toy subjects her to a series of terrifying tales on the television, each story more grave than the last.

A close-up fixes on the eye of British actor Charlotte Rampling. McQueen's finger moves around her eye, pulling the skin and momentarily touching her eyeball. Rampling's eye continually adjusts to the movement of the finger, just as the camera lens goes in and out of focus. Suffused in red, Charlotte is a reflection on the act of looking.

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